{"id":191,"date":"2014-11-20T20:00:16","date_gmt":"2014-11-20T20:00:16","guid":{"rendered":"http:\/\/216.71.127.204\/wordpress\/?p=191"},"modified":"2015-10-05T16:03:08","modified_gmt":"2015-10-05T16:03:08","slug":"the-pretenders-bayou-music-center-houston-tx","status":"publish","type":"post","link":"http:\/\/houstonmusicreview.com\/wordpress\/2014\/11\/20\/the-pretenders-bayou-music-center-houston-tx\/","title":{"rendered":"The Pretenders &#8211; Bayou Music Center &#8211; Houston, TX"},"content":{"rendered":"<table class=\"contentpaneopen\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"left\" valign=\"top\" width=\"70%\"><span class=\"small\">Written by Eddie Ferranti <\/span><\/td>\n<\/tr>\n<tr>\n<td class=\"createdate\" colspan=\"2\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" valign=\"top\"><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2014concert\/112014-pretenders1.jpg\" alt=\"Image\" width=\"300\" height=\"200\" align=\"right\" border=\"0\" hspace=\"6\" \/>Recently, I had the pleasure of taking my HMR Bossman, Samuel Barker, on a &#8220;Nickel Tour&#8221; of my birthplace in NE Ohio. We had a blast and it was more than ironic that the first gig I covered upon coming back to Houston was Chrissie Hynde and her new look Pretenders.<\/p>\n<p>She&#8217;s from my neck of the woods in Akron and she has had me as a fan since her 1978 debut. Back then, the timing for a strong female lead was taking shape ala Joan Jett and Debbie Harry, but Hynde&#8217;s sassy, in-your-face, refined punk sound changed the face of rock and has landed them in the R&amp;R Hall of Fame, which we visited.<\/p>\n<p>She was playing in one of my favorite venues, Bayou Music Center, and we had sweet seats up close and personal. The crowd was on the smaller side than I expected, but it was a loyal, attentive lot. I applaud Hynde&#8217;s approach to asking the audience to &#8220;sit back and enjoy the feel of a concert instead of from behind a screen.&#8221; In typical Chrissie fashion, she admonished verbally to one idiot using his cellphone and fired the bird finger to another.<\/p>\n<p>Always known to me as the &#8220;Buckeye Bitch&#8221;, Hynde has always done things her way-and for good reason. Girl looks damn good at 62 and her pipes were strong albeit sound crew never really getting it &#8220;right&#8221; all evening. Too much guitar kept washing her out a tad, but good stuff indeed from James Walbourne and bassist Nick Wilkinson. Doing it her way meant an overdose of her new release &#8216;Stockholm&#8217; including 4 of first 7 songs which lead her to comment: &#8220;Some of you look scared out there. Don&#8217;t worry it will get better.&#8221; It did.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2014concert\/112014-pretenders2.jpg\" alt=\"Image\" width=\"208\" height=\"300\" align=\"left\" border=\"0\" hspace=\"6\" \/>An edgy, good blend of new band mates emerged on &#8220;Talk of the Town&#8221; and it really did a &#8220;grab hold of ya&#8221; kinda thing on the nasty &#8220;My City Was Gone&#8221; with Walbourne melting the stage on both solos facing off with a strum-upped Hynde! She looked happy and relaxed and chatted out some gems like: &#8220;Not many good bands out there left these days are there? I promise I&#8217;ll always have a good one when I play.&#8221; Also this nugget: &#8220;I like country, but they&#8217;re kind of lazy on guitar. Me, I like to rock.&#8221; They did major on &#8220;Kid&#8221;, all time classic of mine &#8220;Tattooed Love Boys&#8221;, &#8220;Don&#8217;t Get Me Wrong&#8221; and stellar &#8220;Back in the Chain Gang&#8221;. The lady is a strong songwriter and definitely does not look like she&#8217;s slowin&#8217; down one bit.<\/p>\n<p>Omissions are going to happen when you lean hard on a new release and &#8220;Brass in Pocket&#8221;, &#8220;Mystery Achievement&#8221; and &#8220;Middle of the Road&#8221; were missed, but the raucous encore and goose bumper- ran- right- up- in fronter of &#8220;Precious&#8221; rocked me back to my party days in &#8220;Ohighya&#8221; as we warmly remember it as.<\/p>\n<p>Thumbs up to Chrissie for pushing a new album, with promising tunes &#8220;Dark Sunglasses&#8221;, &#8220;Sweet Nuthin'&#8221; and &#8220;In A Miracle&#8221; showcasing new line-up. The lady is a rock goddess to me and that means she&#8217;s still trying. Hell she even gave into the addiction of cell phone picturing taking for one song only when she posed for the adoring crowd. I admit that I welled up a time or two during this close to my heart performance as she warmly brought back memories of some of the best folks I&#8217;ll ever know. Come on back girl because you seem to have lots of shows left to play&#8230;God Bless your HOLIDAZE!<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Written by Eddie Ferranti Recently, I had the pleasure of taking my HMR Bossman, Samuel Barker, on a &#8220;Nickel Tour&#8221; of my birthplace in NE Ohio. We had a blast and it was more than ironic that the first gig I covered upon coming back to Houston was Chrissie Hynde and her new look Pretenders&#8230;. <\/p>\n<div class=\"read-more navbutton\"><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2014\/11\/20\/the-pretenders-bayou-music-center-houston-tx\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-191","post","type-post","status-publish","format-standard","hentry","category-concert-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=191"}],"version-history":[{"count":1,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/191\/revisions"}],"predecessor-version":[{"id":192,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/191\/revisions\/192"}],"wp:attachment":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=191"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}