{"id":4112,"date":"2017-07-22T20:00:17","date_gmt":"2017-07-22T20:00:17","guid":{"rendered":"http:\/\/houstonmusicreview.com\/wordpress\/?p=4112"},"modified":"2017-08-04T23:59:13","modified_gmt":"2017-08-04T23:59:13","slug":"john-egancharles-bryantsara-van-buskirkmark-zeus-the-americana-houston-texas-review","status":"publish","type":"post","link":"http:\/\/houstonmusicreview.com\/wordpress\/2017\/07\/22\/john-egancharles-bryantsara-van-buskirkmark-zeus-the-americana-houston-texas-review\/","title":{"rendered":"John Egan\/Charles Bryant\/Sara Van Buskirk\/Mark Zeus- The Americana – Houston, Texas -Review"},"content":{"rendered":"

Written by James Killen<\/p>\n

\"DSC03298\"<\/a>I had the good fortune last Saturday night to see, not one, but two great shows at the Americana. The evening opened up early with John Egan who showed up with one of his resonators to entertain the cozy crowd. He played about an hour and a half of some of the best acoustic blues to be found in H-town. The set included covers, like Willie Dixon\u2019s \u201cSpoonful\u201d and Lightning Hopkins\u2019 \u201cOnce a Gambler\u201d as well as a number of John\u2019s own compositions, like \u201cMan I\u2019ll Never Be\u201d and \u201cDown in Houston\u201d. Mr. Egan threw down an amazing set for the small crowd with finger picking and slide flowing smoothly across his strings, punctuated by a generous helping of harmonics.<\/p>\n

After John cleared the stage, it was set up for a three way song swap featuring Charles Bryant, Sara Van Buskirk and Mark Zeus. They play three distinctly different styles of folk, like Neapolitan ice cream, three great flavors in one package.<\/p>\n

Charles was belting out his gritty from the gut lyrics about dealing justly with an unjust world, accompanied by his aggressive strumming style and harmonica fill. He performed a number of songs from his latest CD, \u201cKiss the Sun\u201d, like \u201cKill \u2018Em All\u201d and \u201cGive You\u201d, along with a number of his earlier tunes and a new one or two, as his creativity continues to flow forth.<\/p>\n

\"DSC03309\"<\/a>Sara\u2019s voice had the unique quality of being strong and clear and yet ethereal in a way. Her compositions are more like poetic verse set to music than lyrics. They seem to wane introspective and haunting. I only recognized one song from her first (and only) CD, that being, \u201dThe Place Where You Are\u201d. This makes me believe that she was taking some of her newer songs out for a spin, lending credence to the rumors of a second disc in the near future.<\/p>\n

Mark\u2019s style is a little more traditional folk with clearly annunciated vocals on songs dealing with social injustice, like \u201cLand of the Lords\u201d and \u201cSomebody\u2019s Heaven\u201d. He also played songs that trended a little more to his country side, like the humorous, \u201cMy Baby Wrestles Gators\u201d, and an acoustic version of his Thunderbolts song, \u201cSwamp\u201d. The Thunderbolts band is Zeus\u2019 platform for his country rock alter ego.<\/p>\n

The swap session was an interactive one with each artist contributing additional rhythm support, or an improvised lead, or some of CB\u2019s harmonica to the other participants songs. It was clear that they were enjoying themselves. It was well after midnight when I packed up and slipped out the door and Charles was still bubbling excitedly about which song he wanted to do next, three and a half hours after they had started. I do believe he would have gone on all night.<\/p>\n

Keep an eye on the Americana\u2019s schedule. They have a lot of good shows planned. I think that I even saw Greg Brown slated for an evening in September. I\u2019ll certainly be there for that.<\/p>\n","protected":false},"excerpt":{"rendered":"

Written by James Killen I had the good fortune last Saturday night to see, not one, but two great shows at the Americana. The evening opened up early with John Egan who showed up with one of his resonators to entertain the cozy crowd. He played about an hour and a half of some of… <\/p>\n

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