{"id":4668,"date":"2018-01-26T20:00:54","date_gmt":"2018-01-26T20:00:54","guid":{"rendered":"http:\/\/houstonmusicreview.com\/wordpress\/?p=4668"},"modified":"2018-02-02T12:07:15","modified_gmt":"2018-02-02T12:07:15","slug":"malcolm-holcombe-and-charles-bryant-almost-austin-house-concerts-pasadena-tx-review","status":"publish","type":"post","link":"http:\/\/houstonmusicreview.com\/wordpress\/2018\/01\/26\/malcolm-holcombe-and-charles-bryant-almost-austin-house-concerts-pasadena-tx-review\/","title":{"rendered":"Malcolm Holcombe and Charles Bryant &#8211; Almost Austin House Concerts &#8211; Pasadena, TX &#8211; Review"},"content":{"rendered":"<p>Written by James Killen<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/01\/26\/malcolm-holcombe-and-charles-bryant-almost-austin-house-concerts-pasadena-tx-review\/180-2\/\" rel=\"attachment wp-att-4671\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4671\" data-permalink=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/01\/26\/malcolm-holcombe-and-charles-bryant-almost-austin-house-concerts-pasadena-tx-review\/180-2\/\" data-orig-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/180.jpg\" data-orig-size=\"4752,3168\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 50D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1517001290&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;28&quot;,&quot;iso&quot;:&quot;1600&quot;,&quot;shutter_speed&quot;:&quot;0.0333333333333&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"180\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/180-1024x683.jpg\" class=\"alignright size-medium wp-image-4671\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/180-300x200.jpg\" alt=\"180\" width=\"300\" height=\"200\" srcset=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/180-300x200.jpg 300w, http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/180-768x512.jpg 768w, http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/180-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>It\u2019s been almost a year since I pointed my wheels toward 225 and that little house on House Street for the house concert series that was\/is Almost Austin. It\u2019s a return of so many things that carry such good memories, Malcolm Holcomb, Charles Bryant, Kenny Pipes, and just the whole atmosphere that comes with an Almost Austin show and the fans that attend. Being a Friday, we skipped the pot luck dinner, but the tables were in the driveway and the conversation became lively as the group gathered and waited for the show to start.<\/p>\n<p>When show-time finally arrived, Sammy Barker tweaked the sound while Charles Bryant took his seat and strapped on his banjo to treat us to a fast and fastidious banjo rendition of Townes\u2019 \u201cLungs\u201d. Charles was joined in short order by violinist, Tina Fuller for \u201cDust Bowl 1932\u201d. The lovely Ms. Fuller remained on stage for the rest of the show shining new light on some of Charles\u2019 best known songs like \u201c21 Days\u201d, \u201cIt\u2019s About Love\u201d, \u201cOvernight Sensation\u201d, \u201cMRI Song\u201d, and \u201cNursing Home\u201d before closing his set with \u201cKill \u2018Em All\u201d. I understand that Charles and Tina will be performing several shows around town in the near future. Look him up and get on out there.<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/01\/26\/malcolm-holcombe-and-charles-bryant-almost-austin-house-concerts-pasadena-tx-review\/064-5\/\" rel=\"attachment wp-att-4669\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4669\" data-permalink=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/01\/26\/malcolm-holcombe-and-charles-bryant-almost-austin-house-concerts-pasadena-tx-review\/064-5\/\" data-orig-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/064.jpg\" data-orig-size=\"4752,3168\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 50D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1516996472&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;41&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.0166666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"064\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/064-1024x683.jpg\" class=\"alignleft size-medium wp-image-4669\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/064-300x200.jpg\" alt=\"064\" width=\"300\" height=\"200\" srcset=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/064-300x200.jpg 300w, http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/064-768x512.jpg 768w, http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/064-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Malcolm took the stage next, audaciously calling for a big glass of STFU, in typical Holcombe style as he kicked right into \u201cMountains of Home\u201d. He sprung a new song on us early in the set, called \u201cNew Damnation Alley\u201d warning of billionaire barbarians. He rolled through so many favorites, like \u201cSeptember\u201d, \u201cDown in the Woods\u201d, \u201cWho Carried You\u201d, \u201cRocky Ground\u201d and \u201cGone by the Old Sunrise\u201d. There was a sense of sadness in the way he sang \u201cYours No More\u201d about the change in attitude in this country toward immigrants and he closed out his first set with \u201c100 Lies\u201d from his debut album.<\/p>\n<p>The audience was dismissed to go outside and \u201cchain-smoke and touch each other\u201d. After an abbreviated break we all took our seats again as the show restarted with \u201cGoing Home\u201d as Mr. Holcombe called for bridges instead of walls. The show continued with his trademark combination strumming and fingerpicking style on \u201cDown the River\u201d, \u201cTo Get By\u201d, \u201cWords of December\u201d, \u201cIn Your Mercy\u201d, \u201cPretty Little Troubles\u201d and \u201cFar Cry From Here\u201d.<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/01\/26\/malcolm-holcombe-and-charles-bryant-almost-austin-house-concerts-pasadena-tx-review\/attachment\/100\/\" rel=\"attachment wp-att-4670\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4670\" data-permalink=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/01\/26\/malcolm-holcombe-and-charles-bryant-almost-austin-house-concerts-pasadena-tx-review\/attachment\/100\/\" data-orig-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/100.jpg\" data-orig-size=\"3168,4752\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.6&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 50D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1516999140&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;135&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.0166666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"100\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/100-683x1024.jpg\" class=\"alignright size-medium wp-image-4670\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/100-200x300.jpg\" alt=\"100\" width=\"200\" height=\"300\" srcset=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/100-200x300.jpg 200w, http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/100-768x1152.jpg 768w, http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/100-683x1024.jpg 683w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Malcolm left the stage, but returned for an encore of requests, starting with \u201cI Never Heard You Knockin\u201d, followed by \u201cGood Old Days\u201d, before ending with \u201cDressed in White\u201d.<\/p>\n<p>As he left the stage, I couldn\u2019t help thinking that the audacious Malcolm Holcombe was less audacious and more bodacious for this rekindling of the Almost Austin flame. There is a special place in his heart for Kenny Pipes and the Pasadena crowd that gathers there. He said as much and although I\u2019ve heard many artists make similar comments, none have done so with more sincerity. It was good to hear Mr. Pipes announcing the acts. It was good to see old friends from shows past. It was good just to sit in familiar seats again. Everything was right with the world for a while.<\/p>\n<p>The evening was destined to continue with a jam session for all of the musicians in attendance for this show. I wished that I could have hung around for some of the great stuff that certainly followed but an early wake-up call was in my future for Saturday morning. It looks however as though Almost Austin is back as Kenny already has Brock Zeman and Blair Hogan, a very entertaining duo from Canada, scheduled for February 10<sup>th<\/sup>. If you can see your way clear, it\u2019ll be another great show over on House Street.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Written by James Killen It\u2019s been almost a year since I pointed my wheels toward 225 and that little house on House Street for the house concert series that was\/is Almost Austin. It\u2019s a return of so many things that carry such good memories, Malcolm Holcomb, Charles Bryant, Kenny Pipes, and just the whole atmosphere&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/01\/26\/malcolm-holcombe-and-charles-bryant-almost-austin-house-concerts-pasadena-tx-review\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-4668","post","type-post","status-publish","format-standard","hentry","category-concert-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/4668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=4668"}],"version-history":[{"count":2,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/4668\/revisions"}],"predecessor-version":[{"id":4673,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/4668\/revisions\/4673"}],"wp:attachment":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=4668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=4668"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=4668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}