{"id":4763,"date":"2018-02-18T21:33:39","date_gmt":"2018-02-18T21:33:39","guid":{"rendered":"http:\/\/houstonmusicreview.com\/wordpress\/?p=4763"},"modified":"2018-02-18T21:33:39","modified_gmt":"2018-02-18T21:33:39","slug":"jeannine-higgins-self-titled-cd-review","status":"publish","type":"post","link":"http:\/\/houstonmusicreview.com\/wordpress\/2018\/02\/18\/jeannine-higgins-self-titled-cd-review\/","title":{"rendered":"Jeannine Higgins- Self Titled CD Review"},"content":{"rendered":"<p>Written by James Killen<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/02\/18\/jeannine-higgins-self-titled-cd-review\/jeanninehigginspix\/\" rel=\"attachment wp-att-4766\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4766\" data-permalink=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/02\/18\/jeannine-higgins-self-titled-cd-review\/jeanninehigginspix\/\" data-orig-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/jeanninehigginsPIX.jpg\" data-orig-size=\"200,200\" data-comments-opened=\"1\" data-image-title=\"jeanninehigginsPIX\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/jeanninehigginsPIX.jpg\" class=\"alignright  wp-image-4766\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/jeanninehigginsPIX.jpg\" alt=\"jeanninehigginsPIX\" width=\"210\" height=\"210\" srcset=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/jeanninehigginsPIX.jpg 200w, http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/jeanninehigginsPIX-150x150.jpg 150w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/><\/a>I met Jeannine at the 2017 SWRFA convention in one of the seminars. She was asking a question about how one knows when a recording is good enough to say \u201cfini\u201d and put it on the record. It was only a month or so later when I ran into her again at The Americana in Houston where she was doing an open mic and talking about her upcoming first CD. Jeannine has a lovely voice and I was anxious to see what she was able to produce with her own words.<\/p>\n<p>The opening track, \u201cBe Home for the Fall\u201d, is very traditional folk and uses Autumn imagery to tell the story of a long distance relationship. Jeannine adds some orchestration as the imagery changes to that of a winter covering the seeds left behind that will grow in the spring as a parable for someone that has left her writings for others to find after death on \u201cShe\u2019s Nobody (Emily\u2019s Song)\u201d. \u201cShe Won\u2019t Stay\u201d deals with the changing of a person as they move through life, much like seasons in a year. The story of commitment (or lack thereof) plays out in \u201cWould You\u201d and includes a nice acoustic guitar solo.<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/02\/18\/jeannine-higgins-self-titled-cd-review\/jeanninehiggens\/\" rel=\"attachment wp-att-4764\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4764\" data-permalink=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/02\/18\/jeannine-higgins-self-titled-cd-review\/jeanninehiggens\/\" data-orig-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/jeanninehiggens.jpg\" data-orig-size=\"259,195\" data-comments-opened=\"1\" data-image-title=\"jeanninehiggens\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/jeanninehiggens.jpg\" class=\"alignleft size-full wp-image-4764\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2018\/02\/jeanninehiggens.jpg\" alt=\"jeanninehiggens\" width=\"259\" height=\"195\" \/><\/a>\u201cDisappear\u201d deals with the impermanence of love and how old lovers leave only traces of their presence in the wake of their leaving and features a very pleasant violin theme throughout. \u201cTell me Something True\u201d deals with trust and betrayal in a relationship. \u201cThe Reflection\u201d has a light rock feel to it and broaches the subject of getting one\u2019s self-worth from another person. \u201cThrough My Eyes\u201d, uses contrast to tell of the value of positive perspective.<\/p>\n<p>Jeannine has produced a very personal collection of songs for her initial effort. The style is very traditional pop folk, although anyone that has heard her live performances knows of her ability to interpret soft classic rock tunes as well. What stands out throughout this disc is Jeannine\u2019s voice, both in the lead and harmony vocal role. I wouldn\u2019t be surprised to hear her voice added to the productions of others between now and the time that she releases her next collection of tunes.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Written by James Killen I met Jeannine at the 2017 SWRFA convention in one of the seminars. She was asking a question about how one knows when a recording is good enough to say \u201cfini\u201d and put it on the record. It was only a month or so later when I ran into her again&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2018\/02\/18\/jeannine-higgins-self-titled-cd-review\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[],"class_list":["post-4763","post","type-post","status-publish","format-standard","hentry","category-cdreviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/4763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=4763"}],"version-history":[{"count":2,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/4763\/revisions"}],"predecessor-version":[{"id":4768,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/4763\/revisions\/4768"}],"wp:attachment":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=4763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=4763"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=4763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}