{"id":7791,"date":"2020-03-08T23:10:48","date_gmt":"2020-03-08T23:10:48","guid":{"rendered":"http:\/\/houstonmusicreview.com\/wordpress\/?p=7791"},"modified":"2020-03-20T21:35:17","modified_gmt":"2020-03-20T21:35:17","slug":"concert-alert-raul-malo-at-the-heights-theater-march-14-2020","status":"publish","type":"post","link":"http:\/\/houstonmusicreview.com\/wordpress\/2020\/03\/08\/concert-alert-raul-malo-at-the-heights-theater-march-14-2020\/","title":{"rendered":"Postponed &#8211; New Dates Aug. 3&#038;4 &#8211; Raul Malo at The Heights Theater"},"content":{"rendered":"<p><strong><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2020\/03\/08\/concert-alert-raul-malo-at-the-heights-theater-march-14-2020\/rm-approved2\/\" rel=\"attachment wp-att-7793\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-7793\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2020\/03\/RM-Approved2-300x219.jpg\" alt=\"\" width=\"252\" height=\"184\" \/><\/a> <a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2020\/03\/08\/concert-alert-raul-malo-at-the-heights-theater-march-14-2020\/raulmalo_gigposter_master\/\" rel=\"attachment wp-att-7794\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-7794 alignright\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2020\/03\/RaulMalo_GigPoster_Master-246x300.jpg\" alt=\"\" width=\"161\" height=\"196\" \/><\/a>Raul Malo <\/strong>is the incomparable front man of genre-defying, GRAMMY<sup>\u00ae <\/sup>Award-winning band <strong>The Mavericks<\/strong>, and the sole writer of many of their songs. His free-wheeling, swaggering style seamlessly blends nontraditional country, rock \u2019n roll, and Latin rhythmic fervor, and prominently features his lush, soaring baritone. His compositional craftsmanship includes penning progressive and timeless hits like \u201cHere Comes the Rain,\u201d \u201cWhat A Crying Shame\u201d, \u201cDance The Night Away\u201d, \u201cBack In Your Arms Again\u201d, and \u201cAll You Ever Do Is Bring Me Down.\u201d From his earliest days, when his raucous sound broke ground at the punk clubs on Miami Beach nearly three decades ago, to now fronting <strong>The Mavericks <\/strong>on their 30th Anniversary World Tour, Malo has demonstrated an unfailing skill for getting people to groove.<\/p>\n<p>The folks at The Heights Theater will defiantly be grooving when Malo hits the stage on March 14. Houston Music Review will there&#8230;how about you?<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Raul Malo is the incomparable front man of genre-defying, GRAMMY\u00ae Award-winning band The Mavericks, and the sole writer of many of their songs. His free-wheeling, swaggering style seamlessly blends nontraditional country, rock \u2019n roll, and Latin rhythmic fervor, and prominently features his lush, soaring baritone. His compositional craftsmanship includes penning progressive and timeless hits like&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2020\/03\/08\/concert-alert-raul-malo-at-the-heights-theater-march-14-2020\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8],"tags":[],"class_list":["post-7791","post","type-post","status-publish","format-standard","hentry","category-features"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/7791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=7791"}],"version-history":[{"count":4,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/7791\/revisions"}],"predecessor-version":[{"id":7815,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/7791\/revisions\/7815"}],"wp:attachment":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=7791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=7791"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=7791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}