{"id":8004,"date":"2021-03-28T20:17:36","date_gmt":"2021-03-28T20:17:36","guid":{"rendered":"http:\/\/houstonmusicreview.com\/wordpress\/?p=8004"},"modified":"2021-03-28T20:18:33","modified_gmt":"2021-03-28T20:18:33","slug":"jaimee-harris-the-congress-hose-sessions-ep-review","status":"publish","type":"post","link":"http:\/\/houstonmusicreview.com\/wordpress\/2021\/03\/28\/jaimee-harris-the-congress-hose-sessions-ep-review\/","title":{"rendered":"Jaimee Harris &#8211; The Congress House Sessions EP &#8211; Review"},"content":{"rendered":"<p>Written by Jane Ponte<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2021\/03\/28\/jaimee-harris-the-congress-hose-sessions-ep-review\/congress-house\/\" rel=\"attachment wp-att-8005\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"8005\" data-permalink=\"http:\/\/houstonmusicreview.com\/wordpress\/2021\/03\/28\/jaimee-harris-the-congress-hose-sessions-ep-review\/congress-house\/\" data-orig-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Congress-House.jpg\" data-orig-size=\"1195,1129\" data-comments-opened=\"1\" data-image-title=\"Congress House\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Congress-House-1024x967.jpg\" class=\"alignright wp-image-8005\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Congress-House-300x283.jpg\" alt=\"\" width=\"365\" height=\"344\" srcset=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Congress-House-300x283.jpg 300w, http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Congress-House-768x726.jpg 768w, http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Congress-House-1024x967.jpg 1024w, http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Congress-House.jpg 1195w\" sizes=\"auto, (max-width: 365px) 100vw, 365px\" \/><\/a>Even during a global pandemic, it is always a great day when the universe conspires on the behalf of music lovers everywhere and gifts us with meaningful, refreshing new twists on material from artists we have grown to know and love. For fans of \u201cFolk \u2018n Roll\u201d artist Jaimee Harris, a musical offering of the highest caliber has indeed arrived. Released on March 5th, The Congress House Sessions EP revisits 7 previously released tunes from her critically acclaimed debut album, Red Rescue (2018), and breathes new life into these already exquisite, deeply personal songs.<br \/>\nThe EP, which was recorded in the heart of Austin, TX at the legendary Congress House recording studio and produced by Bruno and Franziska Mancia, is both raw and hopeful, and draws the listener in from its inception. \u201cDamn Right,\u201d the EP\u2019s first track, is a perfect example of how Harris has mastered the art of crafting a hauntingly beautiful song that is powerful enough to break your heart while simultaneously leaving you wanting more of her and her poignant lyrics and deliciously intriguing vocals.<br \/>\nHarris\u2019s songwriting has always been consistently top-notch. Perhaps her two best-known songs, \u201cSnow White Knuckles\u201d and \u201cRed Rescue,\u201d which made a believer and fan out of me several years ago, are included on the EP, and both versions are exquisite. Although I would not go so far as to say that I prefer these versions to the originals, I most certainly will say that I could listen to both repeatedly and never grow tired of these tunes. The new versions have a loveliness about them that actually left me with a lump in my throat and profound admiration of Harris\u2019s consistent ability to pour her heart out and share her vulnerability with the listener. I believe this is one of the things I adore the most about Jaimee Harris; she has the courage to expose her humanity and keep things 100% real with her listener. She tells the truth, and is not afraid to show us who she is\u2014warts and all. She candidly speaks about her struggles with depression and addiction and has the uncanny ability to invite her listeners in and share her hopes, dreams, fears and losses. There\u2019s just no pretense with Jaimee Harris\u2014she is who she is&#8211; and, through her craft, invites her listeners to fearlessly embrace their own humanity and let their own light shine as well.<br \/>\n<a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2021\/03\/28\/jaimee-harris-the-congress-hose-sessions-ep-review\/jaimee-2\/\" rel=\"attachment wp-att-8006\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"8006\" data-permalink=\"http:\/\/houstonmusicreview.com\/wordpress\/2021\/03\/28\/jaimee-harris-the-congress-hose-sessions-ep-review\/jaimee-2\/\" data-orig-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Jaimee.jpg\" data-orig-size=\"600,802\" data-comments-opened=\"1\" data-image-title=\"Jaimee\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Jaimee.jpg\" class=\"alignleft wp-image-8006\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Jaimee-224x300.jpg\" alt=\"\" width=\"217\" height=\"290\" srcset=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Jaimee-224x300.jpg 224w, http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2021\/03\/Jaimee.jpg 600w\" sizes=\"auto, (max-width: 217px) 100vw, 217px\" \/><\/a>I would be remiss in my duty as both a music lover and a fledgling music blogger if I did not take a moment to recognize how much Harris has grown as a guitar player and a vocalist since the release of Red Rescue. For those familiar with the weekly livestream she and her partner, Mary Gauthier, have put together during the pandemic to entertain their loyal fanbase and to do their damndest to not let COVID-19 steal their joy, while standing firm on their lifelong quest to share their absolute love of music and friendship with the world, Sundays With Mary has often showcased Harris performing tunes of her own and playing lead guitar to Gauthier\u2019s songs as well. This venture has proven to be an excellent catalyst for bolstering Harris\u2019s confidence, as evidenced by her impeccable phrasing and flawless guitar playing on the new EP. Not only has she improved as a player, but the bare-boned style with which she delivers gems such as \u201cCatch it Now\u201d still brings a tear to my ear as her voice echoes through my living room with an omnipotent resonance.<br \/>\nThis delightful effort from Harris leads me to believe that there is plenty more where that came from, and I honestly cannot wait to see what else is in store for Harris\u2014and for her lucky fans\u2014as she continues to grow and develop as an artist and as a prominent female talent in the wonderful world of music. The Congress House Sessions is a confident and cool record, and it leaves the listener feeling a little bit better just for having heard it. It\u2019s a heaping helping of hope and heart, and it gets better with each listen. Big props to Harris for taking this leap of faith and showcasing these great songs in this stripped-down, tender format. Give it a listen\u2014it\u2019ll definitely heal whatever may be ailing ya.<br \/>\n~Jane Ponte<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Written by Jane Ponte Even during a global pandemic, it is always a great day when the universe conspires on the behalf of music lovers everywhere and gifts us with meaningful, refreshing new twists on material from artists we have grown to know and love. For fans of \u201cFolk \u2018n Roll\u201d artist Jaimee Harris, a&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2021\/03\/28\/jaimee-harris-the-congress-hose-sessions-ep-review\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[],"class_list":["post-8004","post","type-post","status-publish","format-standard","hentry","category-cdreviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/8004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=8004"}],"version-history":[{"count":4,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/8004\/revisions"}],"predecessor-version":[{"id":8010,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/8004\/revisions\/8010"}],"wp:attachment":[{"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=8004"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=8004"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=8004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}