{"id":10284,"date":"2023-07-30T22:19:53","date_gmt":"2023-07-30T22:19:53","guid":{"rendered":"http:\/\/houstonmusicreview.com\/wordpress\/?p=10284"},"modified":"2023-07-30T22:19:53","modified_gmt":"2023-07-30T22:19:53","slug":"jackson-browne-smart-financial-centre-sugarland-tx-july-21-2023-review","status":"publish","type":"post","link":"https:\/\/houstonmusicreview.com\/wordpress\/2023\/07\/30\/jackson-browne-smart-financial-centre-sugarland-tx-july-21-2023-review\/","title":{"rendered":"Jackson Browne &#8211; Smart Financial Centre &#8211; Sugarland, TX &#8211; July 21, 2023 &#8211; Review"},"content":{"rendered":"<p>Written by Jane Ponte<\/p>\n<p>Photos by Dave Clements<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/?attachment_id=10260\" rel=\"attachment wp-att-10260\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10260\" data-permalink=\"https:\/\/houstonmusicreview.com\/wordpress\/?attachment_id=10260\" data-orig-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1387-copy-s.jpg\" data-orig-size=\"600,480\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS-1D X Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1689988028&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;280&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.0025&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"dwc photography -1387 copy s\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1387-copy-s.jpg\" class=\"alignright size-medium wp-image-10260\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1387-copy-s-300x240.jpg\" alt=\"\" width=\"300\" height=\"240\" srcset=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1387-copy-s-300x240.jpg 300w, https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1387-copy-s-200x160.jpg 200w, https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1387-copy-s.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Last Friday night in Sugarland at approximately 8 pm, Jackson Browne walked onto the stage at The Smart Financial Center with just an acoustic guitar and launched into a bittersweet rendition of Warren Zevon\u2019s \u201cDon\u2019t Let Us Get Sick,\u201d as his mostly older crowd settled in for a delightful evening of music and stories from his decades-long career. From my 5th row seat, I could feel the love for him immediately. The crowd erupted into applause, shouts and whistles even before he strummed his first chord, and the declarations of love for him from more than several women in the venue were both sweet and well-deserved. Jackson Browne has been a mainstay on the soundtrack of our lives and times, seemingly since forever. And if anything, he\u2019s only gotten better as he\u2019s grown older. It only seems fitting that his audience loves him\u2014and if I\u2019m being completely honest, I was one of the women who was professing my love for him the loudest.<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/?attachment_id=10277\" rel=\"attachment wp-att-10277\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10277\" data-permalink=\"https:\/\/houstonmusicreview.com\/wordpress\/?attachment_id=10277\" data-orig-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1698-copy-s.jpg\" data-orig-size=\"600,480\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS-1D X Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1689988307&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;135&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.002&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"dwc photography -1698 copy s\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1698-copy-s.jpg\" class=\"alignleft size-medium wp-image-10277\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1698-copy-s-300x240.jpg\" alt=\"\" width=\"300\" height=\"240\" srcset=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1698-copy-s-300x240.jpg 300w, https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1698-copy-s-200x160.jpg 200w, https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1698-copy-s.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>This should come as no surprise to anyone who has known me for even a short while. Browne\u2019s music has had an impact on who I am as a person since my formative years, when I first heard the Jackson 5 do a cover of \u201cDoctor, My Eyes.\u201d I was 10 at the time. I did not understand the lyrics the way I do now, but I was mesmerized by them and wanted to know who wrote them. I think I was around 12 when my older sister brought home a copy of Browne\u2019s first album, commonly (and mistakenly) referred to as Saturate Before Using, although it is actually a self-titled album with a picture of a burlap water bag with a silhouette of Browne\u2019s face and the words \u201csaturate before using\u201d on the bag, hence the common misconception of the album\u2019s title. Regardless, I\u2019ve been a forever fan, following his storied career since the very beginning. My affection and reverence for him has never waned, and I would go so far as to dub him the artist whose music and message has had the most profound impact on my life and times up to this point. And being as I am almost 62 now, I seriously doubt that position will be taken over by any other artist anytime soon.<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/?attachment_id=10283\" rel=\"attachment wp-att-10283\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10283\" data-permalink=\"https:\/\/houstonmusicreview.com\/wordpress\/?attachment_id=10283\" data-orig-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1913-copy-s.jpg\" data-orig-size=\"600,480\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS-1D X Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1689988462&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;280&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"dwc photography -1913 copy s\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1913-copy-s.jpg\" class=\"alignright size-medium wp-image-10283\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1913-copy-s-300x240.jpg\" alt=\"\" width=\"300\" height=\"240\" srcset=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1913-copy-s-300x240.jpg 300w, https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1913-copy-s-200x160.jpg 200w, https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1913-copy-s.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Sporting a closely cropped gray beard, a plaid cotton button down and jeans, Browne looked fit and trim, and his voice never sounded better. Despite having been down with an unidentified illness recently while touring in Australia and having had COVID at the beginning of the pandemic in 2020, Browne appeared healthy, happy, and strong as he took his crowd along for a ride that spanned his entire career and showcased his vocal, guitar, piano and songwriting prowess and drew from nearly every album he\u2019s released up to this point. The show was divided into 2 sets with a brief intermission between the two. The first set seemed to follow a setlist, whereas the 2nd set was a bit of a free-for-all, in the most joyous sense of the word. Several times throughout the 2nd set, Browne would begin one song, pause, and ask the audience what they wanted to hear. And aside from the one guy who wouldn\u2019t quit asking for \u201cDesperado,\u201d (an Eagles tune that Browne had nothing to do with) Browne did his best to honor all requests, including cuts from both his newer and older releases. Personal favorites included \u201cBarricades of Heaven,\u201d \u201cTake it Easy\u201d&gt;\u201dOur Lady of the Well,\u201d \u201cThese Days,\u201d \u201cThe Pretender,\u201d \u201cJamaica Say You Will,\u201d and the Little Steven classic, \u201cI am a Patriot.\u201d Truth be told, however, it really did not matter to me what Browne played throughout the evening; I am a fan of his music, his message, and the causes he has backed throughout his life, so anything he would have chosen from his immense catalogue would have been perfectly fine with me.<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/?attachment_id=10273\" rel=\"attachment wp-att-10273\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10273\" data-permalink=\"https:\/\/houstonmusicreview.com\/wordpress\/?attachment_id=10273\" data-orig-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1641-copy-s.jpg\" data-orig-size=\"600,480\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS-1D X Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1689988250&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;280&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.002&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"dwc photography -1641 copy s\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1641-copy-s.jpg\" class=\"alignleft size-medium wp-image-10273\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1641-copy-s-300x240.jpg\" alt=\"\" width=\"300\" height=\"240\" srcset=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1641-copy-s-300x240.jpg 300w, https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1641-copy-s-200x160.jpg 200w, https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1641-copy-s.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>I suppose one could say that deciding what to play might pose a problem for a songwriter as prolific as Browne; quite simply, he has so many great songs to choose from that there\u2019s no way he could cover them all in the 2 tightly packed sets that seemed to end far too soon. He hit several high points from his career including \u201cRedneck Friend,\u201d \u201cLate for the Sky,\u201d \u201cRunning on Empty,\u201d \u201cFor a Dancer,\u201d and his closer, \u201cThe Load Out\/Stay.\u201d But if I\u2019m being completely honest, I would have loved to have heard \u201cRock Me on the Water,\u201d \u201cFountain of Sorrow,\u201d or \u201cLives in the Balance.\u201d But again, the show was so intimate, so perfectly executed, and so full of goosebump-inducing moments that it truly didn\u2019t matter to me what he played, as long as he didn\u2019t play \u201cDesperado.\u201d Even still, had he played it, I probably would have given him a pass.<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/?attachment_id=10258\" rel=\"attachment wp-att-10258\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10258\" data-permalink=\"https:\/\/houstonmusicreview.com\/wordpress\/?attachment_id=10258\" data-orig-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1360-copy-s.jpg\" data-orig-size=\"600,480\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS-1D X Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1689987982&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;85&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.0025&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"dwc photography -1360 copy s\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1360-copy-s.jpg\" class=\"alignright size-medium wp-image-10258\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1360-copy-s-300x240.jpg\" alt=\"\" width=\"300\" height=\"240\" srcset=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1360-copy-s-300x240.jpg 300w, https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1360-copy-s-200x160.jpg 200w, https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2023\/07\/dwc-photography-1360-copy-s.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Backed by his long-time cohort Greg Leisz on pedal, lap steel, and acoustic guitars, drummer Mauricio Lewak, bassist Mai Leisz, and Alethea Mills and Chavonne Stewart on background vocals, Browne sounded great inside the state-of-the-art venue that is Smart Financial. His vocals were clear and crisp, and the band\u2019s individual talents were all showcased periodically and blended perfectly throughout each musical offering. Browne and his bandmates effortlessly took us all on a journey that simultaneously made us wistful for bygone days while filling us with sunny optimism for the future. Truly, the joy of this evening\u2019s nearly 3-hour performance confirmed Browne\u2019s role of visionary troubadour who is far from finished plumbing the depths of the human condition while shining a bright light into its dark corners. And much to the dismay of the guy shouting from the balcony, he never once had to utter a single word of \u201cDesperado\u201d in order to get the job done. Well done, JB. Hurry back soon.<br \/>\n~Jane Ponte<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Written by Jane Ponte Photos by Dave Clements Last Friday night in Sugarland at approximately 8 pm, Jackson Browne walked onto the stage at The Smart Financial Center with just an acoustic guitar and launched into a bittersweet rendition of Warren Zevon\u2019s \u201cDon\u2019t Let Us Get Sick,\u201d as his mostly older crowd settled in for&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/houstonmusicreview.com\/wordpress\/2023\/07\/30\/jackson-browne-smart-financial-centre-sugarland-tx-july-21-2023-review\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-10284","post","type-post","status-publish","format-standard","hentry","category-concert-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/10284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=10284"}],"version-history":[{"count":2,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/10284\/revisions"}],"predecessor-version":[{"id":10288,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/10284\/revisions\/10288"}],"wp:attachment":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=10284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=10284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=10284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}