{"id":1065,"date":"2011-02-12T20:00:52","date_gmt":"2011-02-12T20:00:52","guid":{"rendered":"http:\/\/216.71.127.204\/wordpress\/?p=1065"},"modified":"2015-10-13T21:08:14","modified_gmt":"2015-10-13T21:08:14","slug":"amos-lee-house-of-blues-houston-texas","status":"publish","type":"post","link":"https:\/\/houstonmusicreview.com\/wordpress\/2011\/02\/12\/amos-lee-house-of-blues-houston-texas\/","title":{"rendered":"Amos Lee &#8211; House of Blues &#8211; Houston, Texas"},"content":{"rendered":"<table class=\"contentpaneopen\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"left\" valign=\"top\" width=\"70%\"><span class=\"small\">Written by Daniel Barker <\/span><\/td>\n<\/tr>\n<tr>\n<td class=\"createdate\" colspan=\"2\" valign=\"top\">Feb 12, 2011<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" valign=\"top\"><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2011concert\/021211-amoslee1.JPG\" alt=\"Image\" width=\"200\" height=\"262\" align=\"right\" border=\"0\" hspace=\"6\" \/>Mission Bell, the fourth album from Blue Note recording artist Amos Lee, debuted at No. 1 on the Billboard Top 200 Albums chart the first week of January, earning the Philadelphia-born singer-songwriter the highest chart position and best sales week of his career. This is a grassroots artist that is taking off in a really good way and I wanted to check out the goods for myself. Walking up to the House of Blues, I was taken aback by how packed the place was. The line was two levels in length. Apparently, a whole lot of folks were thinking the same thing I was.<\/p>\n<p>Produced by Calexico\u2019s Joey Burns, Mission Bell is Lee\u2019s richest and most fully formed recording to date, displaying an array of emotions unified by his eclectic taste and distinctive vocals. With a remarkable set of guests \u2014 including Lucinda Williams, Willie Nelson, Iron &amp; Wine\u2019s Sam Beam, Priscilla Ahn, Pieta Brown, and James Gadson \u2014 and the musical backing of Calexico, the album marks the arrival of Lee as a mature artist who continues to explore his musical and thematic interests.<br \/>\n<img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2011concert\/021211-amoslee2.JPG\" alt=\"Image\" width=\"300\" height=\"192\" align=\"left\" border=\"0\" hspace=\"6\" \/>Joey Burns and his sun-dazed band have transported the soul-folk singer\/songwriter to a more arid and country-tinged musical geography. Though he hails from Philadelphia, Lee is truly at home in the desert. Lee\u2019s voice has always been his greatest asset and he sounds like a grounded Al Green against the elegant rumba of \u201cHello Again\u201d and the Staples Singers-sounding \u201cJesus.\u201d I can attest that voice is pure. AL effortlessly belts out spot-on note after note all night long.<br \/>\nLee writes that his favorite period in music was 1970 to 1975, citing recordings such as John Prine&#8217;s first LP, Bill Withers&#8217; \u201cStill Bill\u201d, Neil Young&#8217;s \u201cHarvest\u201d, and James Taylor&#8217;s \u201cOne Man Dog\u201d all made about seven or eight years before Amos Lee was born. That list of albums helps to sum up the influences that go into Lee&#8217;s easy-going original songs that run from folksy to soulful, all performed in a tasteful, understated, largely acoustic instrumental setting.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2011concert\/021211-amoslee3.JPG\" alt=\"Image\" width=\"268\" height=\"200\" align=\"right\" border=\"0\" hspace=\"6\" \/>Lee definitely takes his cues from his favorite musical period for his vocal delivery, with a style that is a kind of blend of some of those artists. He does favor the soul side of things, with a relaxed, easy-going style that one can listen to all day, though sometimes he does try very hard to be the soulful singer, when playing the folkie might have been a bit better. But it&#8217;s hardly grounds for complaint. The contrast tonight between \u201cEl Camino\u201d and \u201cLearned A Lot\u201d is a perfect example of this inner conflict.<\/p>\n<p>Lee is currently on the road for his 2011 U.S. headlining tour in support of Mission Bell, which includes a performance for NPR\u2019s Mountain Stage live music program, broadcast from Charleston, West Virginia, on April 24th. (Please visit <a href=\"http:\/\/amoslee.com\/shows\/\"><u><span style=\"color: #0066cc;\">http:\/\/amoslee.com\/shows\/<\/span><\/u><\/a> for tour dates). When the tour concludes on April 29th, Lee will travel to Louisiana to perform on the Gentilly Stage at the New Orleans Jazz &amp; Heritage Festival on April 30th. Please visit <a href=\"http:\/\/www.nojazzfest.com\/\"><u><span style=\"color: #0066cc;\">http:\/\/www.nojazzfest.com<\/span><\/u><\/a> for more information.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Written by Daniel Barker Feb 12, 2011 Mission Bell, the fourth album from Blue Note recording artist Amos Lee, debuted at No. 1 on the Billboard Top 200 Albums chart the first week of January, earning the Philadelphia-born singer-songwriter the highest chart position and best sales week of his career. This is a grassroots artist&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/houstonmusicreview.com\/wordpress\/2011\/02\/12\/amos-lee-house-of-blues-houston-texas\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1065","post","type-post","status-publish","format-standard","hentry","category-concert-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=1065"}],"version-history":[{"count":1,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1065\/revisions"}],"predecessor-version":[{"id":1066,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1065\/revisions\/1066"}],"wp:attachment":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=1065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=1065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=1065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}