{"id":1183,"date":"2010-08-10T19:30:20","date_gmt":"2010-08-10T19:30:20","guid":{"rendered":"http:\/\/216.71.127.204\/wordpress\/?p=1183"},"modified":"2015-10-14T20:41:44","modified_gmt":"2015-10-14T20:41:44","slug":"natalie-merchant-verizon-wireless-houston-tx","status":"publish","type":"post","link":"https:\/\/houstonmusicreview.com\/wordpress\/2010\/08\/10\/natalie-merchant-verizon-wireless-houston-tx\/","title":{"rendered":"Natalie Merchant-Verizon Wireless &#8211; Houston, TX"},"content":{"rendered":"<table class=\"contentpaneopen\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"left\" valign=\"top\" width=\"70%\"><span class=\"small\">Written by Eddie Ferranti <\/span><\/td>\n<\/tr>\n<tr>\n<td class=\"createdate\" colspan=\"2\" valign=\"top\">Aug 10, 2010 at 07:30 PM<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" valign=\"top\"><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2010concert\/082110-natmer.jpg\" alt=\"Image\" width=\"200\" height=\"262\" align=\"right\" border=\"0\" hspace=\"6\" \/>Natalie Merchant has been a favorite of mine since the early 80&#8217;s.\u00a0 It is rare these days to see performers with that much longevity in the business still touring.\u00a0 Granted it has been eight years since she adorned this same stage in Houston and also the first album she has put out, too. &#8220;Leave Your Sleep&#8221; is her latest double disc anthology of sorts of early-to mid -20th century British and American poetry.<\/p>\n<p>Merchant is not afraid to express herself and I was interested how a children&#8217;s collection of tunes would come off.\u00a0 Well she got off to a bad start with this reviewer when she made me shoot pictures from the REAR of the venue.\u00a0 Say what?\u00a0 If you&#8217;ve ever read anything I&#8217;ve spit out before you know this is a pet peeve of mine.\u00a0 That being said it is her gig and she can do what she wants.\u00a0 Like have a freakin&#8217; slide show at a concert!<\/p>\n<p>NM chose to deliver a narrative description intro to EVERY poem she was about to perform.\u00a0 The crowd was getting a bit restless to say the least judging by their silence.\u00a0 A power point presentation type show where she spent at least 30 minutes- out of the first 90 -talking.\u00a0\u00a0 However,\u00a0 Merchant handled the shouts for requests in good banter and promised we would be taken care of.\u00a0 And that is where the show was saved in my opinion.<\/p>\n<p>The new material actually came across quite well with cuts like &#8220;Bleezer&#8217;s Ice Cream&#8221;, &#8220;Calico Pie&#8221;, &#8220;If No One Ever Marries Me&#8221;, and &#8220;Spring and Fall: To a Young Child&#8221;.\u00a0 As she heated up in her performance I came to realize why I was so attracted to her for all these years.\u00a0 Swirling, prancing, hand jivin&#8217;, and just enjoying herself on stage IS Natalie Merchant.\u00a0 Her powerful &#8220;honey and husky&#8221; voice never sounded better. On gems like &#8220;Peppery Man&#8221; and &#8220;I&#8217;m in Love with the Janitor Boy&#8221; her throaty smoothness was sweet to hear.\u00a0 Following a brief break in this odd concert,\u00a0 Merchant came back to cut loose on a super sized encore!\u00a0 She flashed thru her own catalog dancing in earnest and prowling the stage from side to side. &#8220;Carnival&#8221; and &#8220;Hey Jack Kerouac&#8221; ruled.\u00a0 &#8220;Wonder&#8221; was fantastic and it made me get up and boogie with the lady ! In closing, do I like gigs like this?\u00a0 Not really.\u00a0 As I said earlier it was her show and if she wants to make it about what she wanted to do rather than considering what her audience expected so be it.<\/p>\n<p>Did I have a good time?\u00a0 Hell yes I did. The warmth that overwhelmed at times made me reflective of the 80&#8217;s and beyond and all the friends that actually turned me on to Merchant and I&#8217;m still in touch with today. After all, isn&#8217;t seeing and listening to music supposed to be an escape from the reality of the worldly stress we endure day to day?\u00a0 She might of delivered that escape in a round about way,\u00a0 but at least she delivered something&#8230;&#8230;&#8230;&#8230;.That&#8217;s my rant for the day!\u00a0 Y&#8217;all be cool and go see something&#8230;&#8230;&#8230;.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Written by Eddie Ferranti Aug 10, 2010 at 07:30 PM Natalie Merchant has been a favorite of mine since the early 80&#8217;s.\u00a0 It is rare these days to see performers with that much longevity in the business still touring.\u00a0 Granted it has been eight years since she adorned this same stage in Houston and also&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/houstonmusicreview.com\/wordpress\/2010\/08\/10\/natalie-merchant-verizon-wireless-houston-tx\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-1183","post","type-post","status-publish","format-standard","hentry","category-concert-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=1183"}],"version-history":[{"count":1,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1183\/revisions"}],"predecessor-version":[{"id":1184,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1183\/revisions\/1184"}],"wp:attachment":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=1183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=1183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=1183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}