{"id":1278,"date":"2009-10-14T20:00:00","date_gmt":"2009-10-14T20:00:00","guid":{"rendered":"http:\/\/216.71.127.204\/wordpress\/?p=1278"},"modified":"2015-10-15T16:35:17","modified_gmt":"2015-10-15T16:35:17","slug":"the-black-crowes-house-of-blues-houston-tx","status":"publish","type":"post","link":"https:\/\/houstonmusicreview.com\/wordpress\/2009\/10\/14\/the-black-crowes-house-of-blues-houston-tx\/","title":{"rendered":"The Black Crowes – House of Blues – Houston, TX"},"content":{"rendered":"\n\n\n\n\n
Written by Daniel Barker <\/span><\/td>\n<\/tr>\n
Oct 14, 2009 at 08:00 PM<\/td>\n<\/tr>\n
\"Image\"Oh, The Black Crowes\u2026.A band that I have been a fan of from day one. A band that manufactured \u201cSouthern Harmony & Musical Companion\u201d, one of the best albums of all time in my opinion.\u00a0 A band that has endured numerous break ups, lineup changes, addictions, DEA prosecutions, celebrity marriages, and countless artistically driven directions fueled by the infamously feuding twin brothers, Chris and Rich Robinson. A band that blatantly has skipped Houston over and over in both career peaks and valleys. A band that had denied HMR access every time they did appear in Houston on a blue moon. A band that this reviewer has deep affinity and respect for despite it all. Oh, The Black Crowes\u2026.<\/p>\n

Still in shock from the email confirming tix AND a photo pass, I made my way into the HOB main hall really not knowing what to expect other than the mainstay aroma of cannabis that follows this band like the cloud of dirt surrounding Charles Shultz\u2019s beloved Pig Pen. I had attended the Houston show at The Sam Houston Coliseum where an entire speaker stack collapsed on fans. This ruined the show prompting the band to come back and play for the ticket holders again for free. The last time I saw this band was at what has become affectionally known as the International Sweat Box \u2013 The International Ballroom where scenes of arrest and medical emergencies played out all night.<\/p>\n

I have to confess that I had lost track of this band like a best friend that moves away or gets married. I would get together with them from time to time and reminisce on the good times but really felt out of touch with any event post separation. An event which took place for us around the release of \u201cBy Your Side\u201d on January 12th, 1999. A painfully poor album only resembling a warmed over corpse of what was the magic of The Black Crowes \u2013 again in my opinion.<\/p>\n

The band arrived here tonight fronting a line up consisting of\u00ac Chris Robinson-lead vocals, guitar, harmonica; Rich Robinson-rhythm guitar, vocals; Steve Gorman-drums; Adam MacDougall-Keyboards; Sven Pipien-bass; Luther Dickenson-lead guitar….The group is touring behind the August 31th, 2009 release of \u201cBefore the Frost\u2026Until the Freeze\u201d. A two disc album that seems to have brought the guys into a strikingly odd phase even for this group. I liken the sound to modern Americana; I assume fitting for a band that put out a disc titled \u201cAmorica\u201d years back. A very acoustic driven roots album no doubt prefaced a decade early by \u201cShe Talks to Angels\u201d. I was interested to see how this was going to play out live to audiences here for \u201cTwice as Hard\u201d and \u201cHard to Handle\u201d.<\/p>\n

Well before I get to that I have to tell the story of a photographer\u2019s nightmare. Upon making my way to the stage, I was greeted by two large speaker boxes blocking access to the media alley in front of the stage. The several photographers in attendance were staring at these obstructions like cows at a new gate. After a back and forth with HOB staff where at one point I was told to photograph from the balcony(WTF?), I finally made it over the stacks and into the alley literally seconds before The Crowes took stage\u2026<\/p>\n

The band came out and broke into \u201cGood Morning Captain\u201d which set the tone for the night\u2026The sound was really strong. A product of the brand new and very recently installed sound system ala the reason for the old speakers on the floor\u2026 After the first song, the often wordy Chris Robinson took time to ponder why if you are going to sneak a smoke why you would choose a cigarette and not a joint\u2026\u201dYou can smoke a cigarette outside guys\u201d\u2026. The dust cloud thickened\u2026.<\/p>\n

This is band is known for playing the show they want no matter what and that was happening this night. After about the fourth song it was apparent they were here to play the new stuff. The entire set was overwhelmed by new material. Again, material that finds an acoustic guitar in BOTH twins hands a lot\u2026Songs like \u201cGarden Gate\u201d, \u201cRoll on Jeremiah\u201d and \u201cFork in the River\u201d where solid tunes. This group has been inspired in this sound which may have been influenced by some the brothers solo project in recent years like Chris Robinsons group \u201cNew Earth Mud\u201d.<\/p>\n

Chris\u2019s guitar playing was not too shabby\u2026I have to admit with his long hair and straggly beard,\u00a0 he looks a lot like a burned out Ray LaMontange when his is strumming, singing and throwing a little harmonic in from time to time\u2026The piano is a integral part in the The Black Crowes sound. I wondered how these guys could replace Ed Harsch \u2013 The Keith Richards of key players\u2026 Adam MacDougall did a fine job but it just is not the same\u2026.For the record, I miss Marc Ford too\u2026..<\/p>\n

There is a tune that deals with the aforementioned avoidance of Houston in the past by this group on the new album titled \u201cHouston Don\u2019t Dream About Me\u201d. I was wondering if they would play it but they did. It was a nice touch for the set. It seems The Crowes have the same relationship with Houston as The Grateful Dead had with New Orleans\u2026generally both seem to have regarded \u201cThe South\u201d as just too restrictive to their lifestyle\u2026A lifestyle maybe more suited for Amsterdam.<\/p>\n

From the groaning in the rather large crowd I could tell that they were beginning to grow impatient and were wondering if they were going to hear any classic tunes. The Black Crowes held them hostage most of the night but were kind enough to bust into a handful of favorites to close the show\u2026\u201dSting Me\u201d, \u201cJealous Again\u201d, and \u201cBlackberry\u201d satisfied\u2026<\/p>\n

Thru it all these guys have survived\u2026 That in itself is one hell of an accomplishment\u2026It seems to me they have thrown off the shackles of genre to make music they enjoy and that feels right for the place they are in their lives right now\u2026The brothers look tired but content at the same time\u2026We have all been on quite a journey to get to where we were this night\u2026 I wish them all the best\u2026Until next time; I will see you out supporting live music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Written by Daniel Barker Oct 14, 2009 at 08:00 PM Oh, The Black Crowes\u2026.A band that I have been a fan of from day one. A band that manufactured \u201cSouthern Harmony & Musical Companion\u201d, one of the best albums of all time in my opinion.\u00a0 A band that has endured numerous break ups, lineup changes,… <\/p>\n

Read More<\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1278","post","type-post","status-publish","format-standard","hentry","category-concert-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=1278"}],"version-history":[{"count":1,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1278\/revisions"}],"predecessor-version":[{"id":1279,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1278\/revisions\/1279"}],"wp:attachment":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=1278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=1278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=1278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}