{"id":1582,"date":"2007-09-21T20:00:48","date_gmt":"2007-09-21T20:00:48","guid":{"rendered":"http:\/\/216.71.127.204\/wordpress\/?p=1582"},"modified":"2015-10-15T20:29:07","modified_gmt":"2015-10-15T20:29:07","slug":"a-fine-frenzy-w-brandi-carlile-meridian-houston-tx","status":"publish","type":"post","link":"https:\/\/houstonmusicreview.com\/wordpress\/2007\/09\/21\/a-fine-frenzy-w-brandi-carlile-meridian-houston-tx\/","title":{"rendered":"A Fine Frenzy w\/ Brandi Carlile &#8211; Meridian &#8211; Houston, TX"},"content":{"rendered":"<table class=\"contentpaneopen\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"left\" valign=\"top\" width=\"70%\"><span class=\"small\">Written by Eddie Ferranti <\/span><\/td>\n<\/tr>\n<tr>\n<td class=\"createdate\" colspan=\"2\" valign=\"top\">Sep 21, 2007 at 08:00 PM<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" valign=\"top\"><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2007concert\/092107-ff.jpg\" alt=\"Image\" width=\"300\" height=\"200\" align=\"right\" border=\"0\" hspace=\"6\" \/>&#8220;A Fine Frenzy&#8221;, aka Alison Sudol, rolled into H-Town as part of the latest VH1 &#8220;You Oughta Know&#8221; Tour series opening for Brandi Carlile. The debut CD, &#8220;One Cell in the Sea&#8221; has been turning heads with comparisons to Tori Amos &amp; Sarah McLachlan. Mighty fine company indeed. I thought I&#8217;d see what was up with this little lady, who&#8217;s very easy on the eyes to boot!<\/p>\n<p>The set kicked off right on time (8:30pm) which was quite refreshing for the Meridian. The crowd was with her from thee opening bell. I found her to have a lovely spacey\/mystical kind of quality to her tunes. Delicate and lingering. She held the crowd very well even though she was playing her piano. A big plus, which does not show up well on her CD, was she had 2 backing band mates with her, Stephen LeBlanc (keyboards) &amp; Daxx Nielsen (drums\/guitar). I thought she really did quite well when she got out from behind the piano and did her thing behind the mike.<\/p>\n<p>&#8220;Come on Come Out&#8221; went over very well. This young thing has said her early influences while being raised in LA were Ella Fitzgerald, Elton John and Radiohead to name a few. It is nice to see such a wide variety of artists as an influence to me&#8230;&#8230;..Other tunes that went over well were &#8220;Near to You&#8221;, Lifesize&#8221;, &#8220;Almost Lover&#8221; and &#8220;Think of You&#8221;. At one point the audience did a complete sing a long with her. This reviewer is not big on those for the most part, but in this case it was sweet.<\/p>\n<p>For an artist that is just starting out, I thought that was very cool. In fact she gushed that the crowd &#8220;Had made my day, week and month for her!&#8221;. Amen young lady. Let&#8217;s hope she continues to grow her band and roots to the point that she can command an even larger sector of the music world.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2007concert\/092107-brandi.jpg\" alt=\"Image\" width=\"200\" height=\"300\" align=\"left\" border=\"0\" hspace=\"6\" \/>On the other hand, Brandi Carlile came out and ROCKED the house for the most part! This lady kicked my ass from the start. I could not believe how much she reminded me of the first time I saw Sheryl Crow-all the way down to the &#8220;hippy chick&#8221; look and Converse tennis shoes. And beleive me that&#8217;s not a bad thing. &#8220;The Story&#8221;-the first CD from Brandi since Rolling Stone tabbed her as one of &#8220;10 Artists to Watch in 2005&#8221; was produced by Grammy award winner T Bone Burnett and recorded live to tape! Not a bad dude to hook up with.<\/p>\n<p>Her touring band included Phil Hanseroth (bass) and Tim Hanseroth (guitar) along with drummer Matt Chamberlain and Josh Neumann (cello). Driven by Ms. Carlile&#8217;s charging vocals the show pulsed with raw road tested intensity. The Seattle influence where she hails from burns through in her live show. Her evolution from pleasant enough folk-rocker on her self titled debut album to now speaks to both Brandi&#8217;s talent and her drive to succeed. Highlights of the gig were &#8220;My Song&#8221;, &#8220;Losing Heart&#8221;, &#8220;Wasted&#8221;, &#8220;Turpentine&#8221; and &#8220;Late Morning Lullaby&#8221;.<\/p>\n<p>For me, being the &#8220;youngster&#8221; I am, found her scorching hot version of Elton John&#8217;s &#8220;Madman Across the Water&#8221; very satifying.<\/p>\n<p>Carlile has a future as big as she wants to make it&#8230;let&#8217;s hope she does well! For now, I&#8217;m out until next time&#8230;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Written by Eddie Ferranti Sep 21, 2007 at 08:00 PM &#8220;A Fine Frenzy&#8221;, aka Alison Sudol, rolled into H-Town as part of the latest VH1 &#8220;You Oughta Know&#8221; Tour series opening for Brandi Carlile. The debut CD, &#8220;One Cell in the Sea&#8221; has been turning heads with comparisons to Tori Amos &amp; Sarah McLachlan. Mighty&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/houstonmusicreview.com\/wordpress\/2007\/09\/21\/a-fine-frenzy-w-brandi-carlile-meridian-houston-tx\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1582","post","type-post","status-publish","format-standard","hentry","category-concert-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=1582"}],"version-history":[{"count":1,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1582\/revisions"}],"predecessor-version":[{"id":1583,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/1582\/revisions\/1583"}],"wp:attachment":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=1582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=1582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=1582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}