{"id":4032,"date":"2017-07-04T22:35:30","date_gmt":"2017-07-04T22:35:30","guid":{"rendered":"http:\/\/houstonmusicreview.com\/wordpress\/?p=4032"},"modified":"2017-07-04T22:35:30","modified_gmt":"2017-07-04T22:35:30","slug":"teresa-kolo-brave-girl-cd-review","status":"publish","type":"post","link":"https:\/\/houstonmusicreview.com\/wordpress\/2017\/07\/04\/teresa-kolo-brave-girl-cd-review\/","title":{"rendered":"Teresa Kolo- Brave Girl- CD Review"},"content":{"rendered":"<p>Written by James Killen<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2017\/07\/04\/teresa-kolo-brave-girl-cd-review\/teresakolo\/\" rel=\"attachment wp-att-4034\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4034\" data-permalink=\"https:\/\/houstonmusicreview.com\/wordpress\/2017\/07\/04\/teresa-kolo-brave-girl-cd-review\/teresakolo\/\" data-orig-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2017\/07\/teresakolo.jpg\" data-orig-size=\"200,200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"teresakolo\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2017\/07\/teresakolo.jpg\" class=\"size-medium wp-image-4034 alignright\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2017\/07\/teresakolo.jpg\" alt=\"teresakolo\" width=\"200\" height=\"200\" srcset=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2017\/07\/teresakolo.jpg 200w, https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2017\/07\/teresakolo-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>I got the chance to see Teresa Kolo perform at a song swap at the Americana the other night and got her last CD. It\u2019s from early 2016, but her voice was so innovative and the material on the disc so intriguing, I felt the need to share it.<\/p>\n<p>Teresa\u2019s vocal stylings move freely between octaves from deep at the back of her throat to the tip of her tongue giving the effect of a ship tossed by the waves. She uses a lyrical timing similar to Bob Dylan\u2019s, with slight pauses in the middle of a line to emphasize certain words. The songs on \u201cBrave Girl\u201d are introspective and revealing for a person navigating time between relationships. The record includes contributions from several excellent musicians, including Eric Korb on guitars and Mike Stinson on drums. Still a few of the tracks are just Teresa and a guitar.<\/p>\n<p>The first track, \u201cCrazy Girl Whisperer\u201d, tells of a girl coming out of a failed relationship and meeting a boy that talks her through all of her mixed emotions and hurt and features a simple but haunting guitar lead. \u201cSay About Me\u201d is a declaration of independence for a woman full of passion. \u201cBrave Girl\u201d asserts a woman\u2019s ability to face any adversity and features another very nice guitar lead.<\/p>\n<p>Eric Korb kicks off \u201cAnura Queen\u201d with a simple electric guitar line on the song about a man finding the courage to admit that he had been left with a broken heart. Teresa goes solo with her guitar on \u201cWeak Knees\u201d about a woman speaking of that special man that stole her heart. \u201cFall\u201d is an eerie air about pondering the opportunity to open herself up to another relationship after being hurt in the last and features a haunting viola line.<\/p>\n<p><a href=\"http:\/\/houstonmusicreview.com\/wordpress\/2017\/07\/04\/teresa-kolo-brave-girl-cd-review\/untitled-3\/\" rel=\"attachment wp-att-4035\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"4035\" data-permalink=\"https:\/\/houstonmusicreview.com\/wordpress\/2017\/07\/04\/teresa-kolo-brave-girl-cd-review\/untitled-3\/\" data-orig-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2017\/07\/untitled-1.png\" data-orig-size=\"183,275\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"untitled\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2017\/07\/untitled-1.png\" class=\"alignleft size-full wp-image-4035\" src=\"http:\/\/houstonmusicreview.com\/wordpress\/wp-content\/uploads\/2017\/07\/untitled-1.png\" alt=\"untitled\" width=\"183\" height=\"275\" \/><\/a>\u201cNo Babies\u201d is about how a man\u2019s unconditional love supports a woman unable to have children. \u201cAral Sea\u201d is an ode to the way that man can affect the environment by diverting all of the rivers that historically fed the Aral Sea in central Asia, reducing the great salt lake to 10% of the size that it was in the 1960\u2019s. Water being the universal symbol of life, this song invites a multitude of metaphors. \u201cGoo\u201d is a two minute song about the ups and downs of a woman\u2019s attitude toward her relationship and is backed by a \u201ccircus-like\u201d organ part.<\/p>\n<p>Joe Omelchuck\u2019s Hammond B3 provides the base for \u201cHill for a Climber\u201d about how determination can break down the walls and open up closed minds. \u201cThe End\u201d describes the events at the end of a relationship with a mournful viola line.<\/p>\n<p>Teresa adds three bonus tracks recorded and mixed in Seattle (the first part of the disc was done in Houston). The first of them is \u201cWhat She Needs\u201d, where Ms. Kolo is accompanied by Tiffany Passsaro\u2019s cello, about a futile search for oneself in a relationship. Passaro\u2019s cello continues to support Teresa\u2019s guitar and voice on \u201cReined the Horse\u201d about the need for trust at the end of a relationship for all of those personal secrets shared during it. \u201cSmelled Right\u201d is Teresa alone with her guitar again, in a song about a dysfunctional relationship with an egotist.<\/p>\n<p>I\u2019m actually very impressed with Teresa Kolo\u2019s unique approach to music. She is creative and original. \u201cBrave Girl\u201d is a thematic production that begins in one place and moves methodically forward through a story of love and heartache. This is good stuff, packaged properly and delivered effectively. I would highly recommend delving into this one.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Written by James Killen I got the chance to see Teresa Kolo perform at a song swap at the Americana the other night and got her last CD. It\u2019s from early 2016, but her voice was so innovative and the material on the disc so intriguing, I felt the need to share it. Teresa\u2019s vocal&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/houstonmusicreview.com\/wordpress\/2017\/07\/04\/teresa-kolo-brave-girl-cd-review\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-4032","post","type-post","status-publish","format-standard","hentry","category-cdreviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/4032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=4032"}],"version-history":[{"count":2,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/4032\/revisions"}],"predecessor-version":[{"id":4037,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/4032\/revisions\/4037"}],"wp:attachment":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=4032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=4032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=4032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}