{"id":530,"date":"2013-05-16T18:00:45","date_gmt":"2013-05-16T18:00:45","guid":{"rendered":"http:\/\/216.71.127.204\/wordpress\/?p=530"},"modified":"2015-10-08T18:22:10","modified_gmt":"2015-10-08T18:22:10","slug":"eliza-gilkyson-mucky-duck-houston-tx","status":"publish","type":"post","link":"https:\/\/houstonmusicreview.com\/wordpress\/2013\/05\/16\/eliza-gilkyson-mucky-duck-houston-tx\/","title":{"rendered":"Eliza Gilkyson &#8211; Mucky Duck &#8211; Houston, TX"},"content":{"rendered":"<table class=\"contentpaneopen\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"left\" valign=\"top\" width=\"70%\"><span class=\"small\">Written by Eddie Ferranti <\/span><\/td>\n<\/tr>\n<tr>\n<td class=\"createdate\" colspan=\"2\" valign=\"top\">May 16, 2013 at 09:00 PM<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" valign=\"top\"><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2013concert\/051613-elizagilkyson1.jpg\" alt=\"Image\" width=\"300\" height=\"200\" align=\"right\" border=\"0\" hspace=\"6\" \/>Few things in life are constants these days in our super fast lifestyles that we are forced to endure on a day to day basis. Fortunately, music provides an oasis. A place to hide out, stop the presses and enjoy all that the Good Lord above has bestowed upon us.<\/p>\n<p>One such constant is a visit from Eliza Gilkyson.<\/p>\n<p>She dropped into the comfortable setting of the Mucky Duck recently. She brought her son, Cisco Ryder, on drums and the ever-smooth guitarist Mike Hardwick. These two helped whisk us away so we could enjoy what she does best, which is entertain.<\/p>\n<p>Be it her sassy delivery of a joke about herself or a jab at the political going&#8217;s on in the world, it all adds up to a great experience. Her super sweet rasp always grabs me and holds on throughout her gigs. Tonight was no exception.<\/p>\n<p>Jumping in with &#8220;Blue Moon Night&#8221; with the killer lyric that poked at today&#8217;s society: &#8220;Turn off the I-Tunes!&#8221; the set was on a good path. &#8220;Emerald Street&#8221; followed after EG told the history behind the song, once again, joking about the &#8220;one&#8221; day of spring that the city of Austin celebrates every year! This tune has been dubbed the &#8220;whistle&#8221; song where she gets the crowd to whistle with her until they can&#8217;t possibly keep up. Classic fun!<\/p>\n<p>Mike Hardwick may be the most poker-faced guitarist I&#8217;ve ever seen, but the man has a silky smooth delivery that just mesmerizes the audence with his electric guitar skills.<\/p>\n<p>&#8220;Roses at the End of Time&#8221; showcased his talents and the producer of the same album, Cisco Ryder, meshing together in a sultry mystic sound that was neato. EG was in rare comedic form this night as she proclaimed she didn&#8217;t know if the world would all come to a frantic collapse or if she&#8217;d die first as she introduced her brother Tony&#8217;s &#8220;Death in Arkansas&#8221;, featuring MH on lap slide mean guitar.<\/p>\n<p>&#8220;Rare Bird&#8221; featured a nice jam and then a newbie &#8220;Nocturnal Diaries&#8221; (I believe)\u00a0 followed where EG stated most of her new album was written in the middle of the night. Fitting close to first set was &#8220;Dark Side of Town&#8221;.<\/p>\n<p>After the break Eliza asked for requests and the chestnuts fell from the tree big time! &#8220;Welcome Back&#8221;, &#8220;Fall Into the Night,&#8221; where Hardwick really cut loose, politically charged &#8220;Highway 9&#8221; where EG stated players have changed with same results and the always moving &#8220;Tender Mercies&#8221;.<\/p>\n<p>&#8220;Beauty Way&#8221; featured the loud and proud talents of Mike Hardwick and I personally wish this dude would air it out and jam more often! Touching tender as all get out &#8220;Jedidiah&#8221; was done and then EG closed out the gig with sing-a-longs which she adores. &#8220;Beast Comes Slouching&#8221; and fun &#8220;Wildwood Springs&#8221; left the audience with ear-to-ear grins on this packed house school night.<\/p>\n<p>Gilkyson has been doing her thing her way for over 40 years running and I see no reason to change anything except get that new album out before 2014. She carries the monikor of the first lady of folk very proudly and deservedly so&#8230;Love ya girl and we&#8217;ll see y&#8217;all out there somewhere on my oasis!<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Written by Eddie Ferranti May 16, 2013 at 09:00 PM Few things in life are constants these days in our super fast lifestyles that we are forced to endure on a day to day basis. Fortunately, music provides an oasis. A place to hide out, stop the presses and enjoy all that the Good Lord&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/houstonmusicreview.com\/wordpress\/2013\/05\/16\/eliza-gilkyson-mucky-duck-houston-tx\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-530","post","type-post","status-publish","format-standard","hentry","category-concert-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=530"}],"version-history":[{"count":1,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/530\/revisions"}],"predecessor-version":[{"id":531,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/530\/revisions\/531"}],"wp:attachment":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}