{"id":585,"date":"2013-03-29T20:00:50","date_gmt":"2013-03-29T20:00:50","guid":{"rendered":"http:\/\/216.71.127.204\/wordpress\/?p=585"},"modified":"2015-10-08T20:40:11","modified_gmt":"2015-10-08T20:40:11","slug":"gurf-morlix-anderson-fair-houston-tx","status":"publish","type":"post","link":"https:\/\/houstonmusicreview.com\/wordpress\/2013\/03\/29\/gurf-morlix-anderson-fair-houston-tx\/","title":{"rendered":"Gurf Morlix &#8211; Anderson Fair &#8211; Houston, TX"},"content":{"rendered":"<table class=\"contentpaneopen\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"left\" valign=\"top\" width=\"70%\"><span class=\"small\">Written by James Killen <\/span><\/td>\n<\/tr>\n<tr>\n<td class=\"createdate\" colspan=\"2\" valign=\"top\">Mar 29, 2013 at 08:00 PM<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" valign=\"top\"><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2013concert\/032913-gurfmorlix.jpg\" alt=\"Image\" width=\"200\" height=\"274\" align=\"right\" border=\"0\" hspace=\"6\" \/>Gurf Morlix appeared Friday night at Anderson Fair to promote his latest album, Gurf Morlix- \u201cFinds the Present Tense\u201d(He never says the title of the album without preceding it with his name). Throughout the evening, with tongue firmly planted in cheek, Gurf repeatedly referred to it as \u201cthe feel good album of the year\u201d.<\/p>\n<p>One gets the gist of the dark themes visited by this production through tunes with titles like \u201cMy Life\u2019s Been Taken\u201d, \u201cSeries of Closing Doors\u201d, \u201cYou Walk Away\u201d and \u201cEmpty Cup\u201d. You begin to think that there ought to be a free prescription to Prozac with each copy of the disc. Gurf himself, though, is far from a dark and morose character, filling the time between songs with jokes and stories from his many years in the music business.<\/p>\n<p>Morlix first appeared in the Texas music scene as part of Blaze Foley\u2019s band splitting the late 70\u2019s and early 80\u2019s between Houston and Austin. He spent eleven years playing with Lucinda Williams and did session work or produced records for Ian Mcglagan, Ray Wylie Hubbard, Robert Earl Keen, and Slaid Cleaves, among others. He set up a studio on the outskirts of Austin in the late 90\u2019s and has produced music for many artists and began recording a few of his own.<\/p>\n<p>A couple of years ago, Gurf Morlix recorded an album of Blaze Foley\u2019s songs and went on a world tour performing Blaze\u2019s songs after the showing of a documentary on Foley. Gurf\u2019s effort along with that of the film\u2019s producer, Kevin Triplett, is responsible for the newly expanded awareness of the Blaze Foley song catalogue.<\/p>\n<p>Gurf started out the evening playing \u201cOne More Second\u201d from \u201cThe Last Exit to Happyland\u201d, about revenge, murder, and regret just to set the tone. Most of the evening was spent on songs from \u201cPresent Tense\u201d, like the dark chord progressions of \u201cLookin\u2019 for You\u201d and the Roy Rogers memories that have been a part of America\u2019s modern gun culture featured in the number \u201cBang, Bang, Bang\u201d. One of the phrases in that song, \u201c\u2026going out in a blaze of glory\u201d was a reference to the untimely death of Gurf\u2019s close friend, Blaze Foley.<\/p>\n<p>In addition to his own songs, Morlix covered Blind Willie Johnson\u2019s \u201cSoul of a Man\u201d, Jimmy Reed\u2019s \u201cTake Out some Insurance\u201d and Blaze\u2019s tune, \u201cCold, Cold World\u201d. He ended the first set with some gentle Celtic guitar work on the 400 year old pub song, \u201cThe Parting Glass\u201d.<\/p>\n<p>Over the course of the evening, he shared stories about catching a five pound bass at the lake behind his cabin, bringing it up to the house and showing it a few seconds of TV before tossing it back to swim off. He claimed that the word must have gotten around the lake because the fishing got better when all of the fish wanted to check out all of the colors of the upper world. He also told the story about being kicked out of Starbucks in Amsterdam after his friend told him that he could get hashish at the coffee shops there.<\/p>\n<p>Gurf closed out the night with his own \u201cVoice of Midnight\u201d in which Morlix might as well have been plucking your heartstrings as the guitar strings and the finale, the bumping, gospel bass line of The Blind Boys of Alabama\u2019s \u201cThe Last Time\u201d.<\/p>\n<p>For all of the dark themes, Gurf stated that he wanted to leave everyone with the thought that you should enjoy your friends and loved ones whenever you are with them, as you never know when it will be the last time you see them. That one statement of the evening tied together the apparent dichotomy of Morlix\u2019s warm personality and the dark themes of his music. The next time Gurf wanders through town, check out his entertaining hospitality.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Written by James Killen Mar 29, 2013 at 08:00 PM Gurf Morlix appeared Friday night at Anderson Fair to promote his latest album, Gurf Morlix- \u201cFinds the Present Tense\u201d(He never says the title of the album without preceding it with his name). Throughout the evening, with tongue firmly planted in cheek, Gurf repeatedly referred to&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/houstonmusicreview.com\/wordpress\/2013\/03\/29\/gurf-morlix-anderson-fair-houston-tx\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-585","post","type-post","status-publish","format-standard","hentry","category-concert-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=585"}],"version-history":[{"count":1,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/585\/revisions"}],"predecessor-version":[{"id":586,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/585\/revisions\/586"}],"wp:attachment":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}