{"id":634,"date":"2013-01-25T20:00:31","date_gmt":"2013-01-25T20:00:31","guid":{"rendered":"http:\/\/216.71.127.204\/wordpress\/?p=634"},"modified":"2015-10-13T15:07:53","modified_gmt":"2015-10-13T15:07:53","slug":"paper-moon-shiners-jp-hops-house-katy-tx","status":"publish","type":"post","link":"https:\/\/houstonmusicreview.com\/wordpress\/2013\/01\/25\/paper-moon-shiners-jp-hops-house-katy-tx\/","title":{"rendered":"Paper Moon Shiners – JP Hops House – Katy, TX"},"content":{"rendered":"\n\n\n\n\n
Written by James Killen <\/span><\/td>\n<\/tr>\n
Jan 25, 2013 at 08:00 PM<\/td>\n<\/tr>\n
\"Image\"\u201c\u2026there\u2019s a man in there that\u2019ll pay you ten dollars to sing into his can!\u201d and thus the movie \u201cOh, Brother Where Art Thou\u201d resurrected a musical style of the depression era that most of us had only experienced in old movies with tinny soundtracks or poor copies of archaic recordings.<\/p>\n

Just like the movie, The Paper Moon Shiners breathe life back into the songs of days gone by. The band is Elena Antinelli on vocals and Frank Meyer on vocals, guitar, dobro, ukulele and the invisible kazoo. They specialize in covering music from the Victrola\/ vaudeville era to the present, sprinkling in some original compositions written in the vintage spirit.<\/p>\n

Friday night\u2019s show was way \u201cout in the sticks on highway six\u201d at JP Hops House. The Hops House is really a great little neighborhood pub with a very nice sound system hidden in a dark little strip center behind a doughnut shop.<\/p>\n

The evening kicked off with Elena sidling slowly up to the mike during the opening lines of Bob Wills\u2019 \u201cStay a Little Longer\u201d, while Frank cranked up the jazz guitar accompaniment. They covered the Frank Sinatra hit \u201cBlue Heaven\u201d, followed by the band\u2019s original and entertaining shoo song, \u201cGit\u201d. Elena showed off her vibrato voice on the 70\u2019s Melanie hit \u201cBrand New Key\u201d. Frank took up the vocal lead on the original \u201cMr. Git \u2018Er Done\u201d, turning the vocal duties back to Elena for another original, \u201cSticker Bush\u201d.<\/p>\n

The evening continued with songs as old as the traditional African American work song \u201cLong Gone Like a Turkey Through the Corn\u201d (on which Elena exaggerated her vibrato voice by rapidly patting her cheek while she held her notes) to as recent as a cover of the John Prine\/ Iris Dement duet \u201cIn Spite of Our Selves\u201d. They included musical styles as wide ranging as the 1928 bluegrass Annette Hanshaw \u201cWho\u2019s that Knockin\u2019 On My Door\u201d, to the Robert Johnson dobro blues classic \u201cCome on Into My Kitchen\u201d, to the Stan Jones cowboy yodeling standard, \u201cGhost Riders in the Sky\u201d, to the Nancy Sinatra pop hit \u201cCounting Flowers on the Wall\u201d, to the Tom Waits jazz number,\u201dIt\u2019s Over\u201d. There were songs by Helen Kane, Paul Robeson, Johnny Cash, Eric Heatherly, Hoagie Carmichael, Cab Calloway, George Gershwin, Bessie Smith, Leroy Carr and Scrapper Blackwell.<\/p>\n

They performed a total of thirty songs in a two and a half hour set. \u201cThat\u2019s My Weakness Now\u201d featured Frank on the ukulele, the mouth bass (a deep boom, boom vocal rhythm line) and the invisible kazoo (humming through vibrating lips). \u201cA British Pub Song\u201d was Elena\u2019s stuttering Anglo folk ditty about the evils of G-G-G-Gin. Frank got a whole lot of laughs with an original tune of his about a dream where he was a disembodied head flying around accompanied by an eagle and a bat.<\/p>\n

The chemistry between Elena and Frank is warm and contagious. Frank has a well-developed talent on the strings and Elena finds natural ways to put effects on her voice sans electronic treatments. If you are looking for an evening that is more entertaining than a museum and more informative than a top ten cover band, spending it with Austin\u2019s Paper Moon Shiners would be a great choice.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Written by James Killen Jan 25, 2013 at 08:00 PM \u201c\u2026there\u2019s a man in there that\u2019ll pay you ten dollars to sing into his can!\u201d and thus the movie \u201cOh, Brother Where Art Thou\u201d resurrected a musical style of the depression era that most of us had only experienced in old movies with tinny soundtracks… <\/p>\n

Read More<\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-634","post","type-post","status-publish","format-standard","hentry","category-concert-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=634"}],"version-history":[{"count":1,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/634\/revisions"}],"predecessor-version":[{"id":635,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/634\/revisions\/635"}],"wp:attachment":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}