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<\/a>Getting together face to face these days with friends is becoming a fast approaching memory.\u00a0 The age of texting and social media has replaced the truest form of communication.\u00a0 Thank God that music still drives us to actually make physical contact with some very nice people in life.\u00a0 It had
been since Folk Alliance 2016 in Kansas City since we ran down Nashville bud Chuck Mead and His Grassy Knoll Boys. Plus it had been three years since we
visited the cool confines of the refurbished Dosey Doe Big Barn in The Woodlands, Texas.\u00a0 On one special evening both came together for a rockin’
good night of live music!
Chuck has been busy as musical director of the smash Broadway hit “Million Dollar Quartet “, which earned him some very nice credibility besides being
the co-founder of the famed ’90s Alternative Country quintet, BR-549. Mead was out pushing his second release on Nashville independent label Plowboy
Records called “Close to Home”. It is 11 tracks that were cut at the historic Sam Phillips Recording Studio in Memphis, Tennessee, and was
produced by acclaimed Memphis recording engineer Matt Ross-Spang.\u00a0 The tunes off of this fine album played very well at this acoustically sweet venue and
he played many of them.\u00a0 To say Mead has a stage presence is putting it mildly.\u00a0 He may look like a country music singer, but he owns a rock and
roll heart who knows how to lead his Grassy Knoll Boys , who are a fine tuned machine backing him up.\u00a0 Mark Miller on antimated bass, steady Marty
Lynds on drums, and smoking from start to finish Carco Clave on mandolin\/pedal steel did themselves proud.
If you have never seen Chuck on stage before you would be impressed by his no nonsense machine gun style of one killer tune after another delivery.
Two songs in Mead and Clave were trading red hot licks and had this party started.\u00a0 The songs rolled nicely like a new country drinking song, “Tap
Into Your Misery”, stellar “My Baby’s Holding It Down” which is parts ballad and drawn out rocker live, and a classic George Jones foot stomper called I
think “Dadgomet” which saw Mead ripping classic riffs and stalking the stage.\u00a0 Classic pure honky-tonk title cut “Close to Home”\u00a0 was followed by a
country Jimmy Buffett type tune, “I’m Not The Man For The Job”, complete with sweet pedal steel from Clave. Mead shows his tongue-in-cheek humor on
“Daddy Worked The Pole”, a song about the singer’s dad who climbed a telephone pole so his mama did not need to do exotic pole dancing….until
they switched supporting one another.\u00a0 Ha!
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<\/a>Studs like this do not come around often and it is so satisfying to get a gig that combines swampy blues, rock, and of course rockabilly.\u00a0 Mead sent one out to all the heathens in the crowd called “The Devil By Their Side”, and then told a tale about him playing Tootsies way back when in Nashville
getting “rich” playing Hank Williams’ tunes at $25 a pop!\u00a0 The fast and furious show steamrolled to conclusion with “Girl On A Billboard”, turbo
charged back beat on “Big Bear In The Sky”, and a balls-to-the-wall rocker tribute to the King of Rock and Roll “The Man Who Shook The World” !!\u00a0 Mead
was looking snazzy in his white cowboy hat and black and white country outfit that barely looked soiled after expending a lot of energy leaving it
all on the Dosey Doe stage.<\/p>\n
This album is easily in our top 5 for 2019. Pick it up and judge for yourself.\u00a0 This twangy cool cat pays homage to legends of country’s past while expanding boundaries all his own.<\/p>\n
Love this dude!
As far as the Dosey Doe, the big barn took on a new look which added more than 120 seats plus more balcony room.\u00a0 Very nice setting indeed.\u00a0 They are
booked well into 2020 already so they are doing something right fore sure……..<\/p>\n
Eddie “Edge” Ferranti
Senior Editor
Houston Music Review
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<\/p>\n","protected":false},"excerpt":{"rendered":"
Written by Eddie Ferranti Getting together face to face these days with friends is becoming a fast approaching memory.\u00a0 The age of texting and social media has replaced the truest form of communication.\u00a0 Thank God that music still drives us to actually make physical contact with some very nice people in life.\u00a0 It had been… <\/p>\n