{"id":760,"date":"2012-08-11T16:00:09","date_gmt":"2012-08-11T16:00:09","guid":{"rendered":"http:\/\/216.71.127.204\/wordpress\/?p=760"},"modified":"2015-10-13T16:23:36","modified_gmt":"2015-10-13T16:23:36","slug":"deweyfest-cypress-saloon-cypress-tx","status":"publish","type":"post","link":"https:\/\/houstonmusicreview.com\/wordpress\/2012\/08\/11\/deweyfest-cypress-saloon-cypress-tx\/","title":{"rendered":"Deweyfest &#8211; Cypress Saloon &#8211; Cypress, TX"},"content":{"rendered":"<table class=\"contentpaneopen\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"left\" valign=\"top\" width=\"70%\"><span class=\"small\">Written by James Killen <\/span><\/td>\n<\/tr>\n<tr>\n<td class=\"createdate\" colspan=\"2\" valign=\"top\">Aug 11, 2012 at 04:00 PM<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" valign=\"top\"><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2012concert\/081112-deweyfest1.JPG\" alt=\"Image\" width=\"250\" height=\"200\" align=\"right\" border=\"0\" hspace=\"6\" \/>I took a run out to the Cypress Saloon, Saturday, with honky-tonking on my mind, as the Cypress Saloon qualifies as a big honky-tonk and honky-tonk hero, Billy Joe Shaver was headlining the schedule for Dewey-fest 2012. Cypress Saloon is a big tin barn-like building with a full bar sitting behind P.O.\u2019s Burgers on Telge Road off of 290.<\/p>\n<p>One of the first things that you notice when you walk in is the Big Ass (yes that\u2019s the brand name, Google it) ceiling fan pushing the breeze down on the tables of beer drinkers and story-swappers. Dewey-fest itself was an all-day event that featured some really talented musicians that was put together by C&amp;W artist Dewey Wayne to benefit MOMs USA, an organization dedicated to sending packages to our troops overseas. The money raised on Saturday from ticket sales and silent auctions was earmarked to send Girl Scout cookies to an entire battalion.<\/p>\n<p>Although the music started at noon, I didn\u2019t arrive until around 4:00PM when ex-Romeo Dog, Mitch Jacobs took the stage with his band, the Two Dollar Lone Stars. He delivered a satisfying set of original and cover songs including Johnny Cash\u2019s \u201cRing of Fire\u201d and Chris Isaac\u2019s \u201cI Don\u2019t Want to Fall in Love\u201d showing off his vocal range from the lows to the highs.<\/p>\n<p>The format for the event became apparent as three stools were dragged up in front of the stage while the set up for the next full band was being done. Mikes were set in front of the stools for three singer songwriters to do a song swap, providing almost continuous music for the day. This spot featured Luckenbach songster, David Harris, ex-Derringer lead singer, Tim Nichols and 105.3FM TexMix DJ (and MC for the event), Kenny Allen. Tim Nichols, a veteran songwriter that had collaborations with Steve Wariner and Eddie Rabbit to his credit, showed good stage savvy and had a solid country voice. Kenny Allen, a songwriter in his own right, delivered a few humorous ditties that kept the mood light.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2012concert\/081112-deweyfest2.JPG\" alt=\"Image\" width=\"250\" height=\"200\" align=\"left\" border=\"0\" hspace=\"6\" \/>The Brant Lee Croucher band was next on the main stage. I found these guys to be an interesting act. The sound is mainstream country, but Brant is not the typical C&amp;W heart-throb, being a little skinny with a scraggly, unshaven general appearance. The songs are a fresh twist on traditional themes. He tends to emphasize words or phrases by preceding them with a pause to put the attention where he wants it. This makes the songs hard to two-step to, but very listenable. All of that, with an acoustic lead guitar that brings to mind the sharp tones of Jorma Kaukonen, made for an enjoyable set.<\/p>\n<p>The stools were dragged back out for a set by Tim Fralik, Mike Amabile and Southern Backtones leader, Hank Schyma. Schyma immediately took control of the stage, cracking wise and introducing the other fellows. Between performing his own tunes, Fralik added leads and fill to the other two until Hank Schyma belted out an aggressive acoustic version of \u201cBring Back My Angel\u201d. Fralik announced that he wasn\u2019t touching that. I have to say that Mike Amabile stole the show for this set by delivering a smooth upbeat version of Leonard Cohen\u2019s \u201cHalleluiah\u201d. I\u2019ll be looking for him around town, just to get a little more taste of his talented voice and song.<\/p>\n<p>Johnny Falstaff was lined up for the main stage next but called in with a bad case of food poisoning, so the stools were immediately occupied by Andrew Wade and Brad Boyer bringing their own Texas singer-songwriter talents to the stage. Boyer covered Townes Van Zandt tune, \u201cLoretta\u201d and even shared a Townes joke, that involved a drunk and a missing car, but that\u2019s about as much as I can share in polite company.<\/p>\n<p>Ziggy Moonshine and the Bootleggers were next to the main stage. They played a country boogie that got a few dancers up on the floor. They did a cover of the Band of Heathens\u2019 favorite \u201cJackson Station\u201d and did their very best to look like rock stars.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2012concert\/081112-deweyfest4.JPG\" alt=\"Image\" width=\"250\" height=\"200\" align=\"right\" border=\"0\" hspace=\"6\" \/>The stools were dragged out one last time for the evening to be occupied by Cody Kouba, Matt Harlan and Christin Sawyer. Cody had a list of his own songs that featured his bluegrass-fast acoustic guitar strumming. HMR favorite and old friend, Matt Harlan, performed \u201cDarker Shades of Grey\u201d off of his latest disc and \u201cYou\u2019re Just Drunk\u201d and \u201cSomething New\u201d from his first CD. The pleasant surprise from this set was Christin Sawyer. She played an acoustic country set of original tunes with all of the energy of a Texas Ani DiFranco. Her first disc is due out very soon and I do believe that I\u2019ll be picking that one up.<\/p>\n<p>The main stage opened up again featuring Dewey Wayne (host of Dewey-fest) and his band. Dewey is a Houston area mainstream C&amp;W singer-songwriter that fit this old honky-tonk like a glove. With songs like \u201cI\u2019m Drinking Whiskey Again\u201d and \u201cJack and Hank\u201d Dewey plays to the traditional honky-tonk crowd.\u00a0 The band was tight and featured guest guitarist, Big John Mills on Telecaster. Dewey showed his Gulf Coast origins with the almost Cajun rhythms of \u201cI Reckon I\u2019m Fixin\u2019 to Drink Me Another Drink\u201d. Many thanks are due to Mr. Wayne for sponsoring this event in support of our troops overseas.<\/p>\n<p>By 11:15PM, the stage was taken over by Billy Joe Shaver in all of his honky-tonk glory, wielding a long tried and true song list and working with a young rocking band. Billy Joe is 73 as of August 16th and nothing in his performance would suggest that he\u2019s feeling his age.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.houstonmusicreview.com\/mambo\/images\/stories\/2012concert\/081112-deweyfest5.JPG\" alt=\"Image\" width=\"200\" height=\"250\" align=\"left\" border=\"0\" hspace=\"6\" \/>He opened up with \u201cHeart of Texas\u201d followed quickly by his rock and roll cross-over \u201cGeorgia on a Fast Train\u201d. With scarcely a breath between, he rolled into \u201cHonky-Tonk Heroes\u201d and the unrepentantly suggestive \u201cThat\u2019s What She Said Last Night\u201d. \u201cWacko from Waco\u201d addressed the true story (or at least Billy Joe\u2019s version) of the shooting incident after one of his shows that made news lately.<\/p>\n<p>Not missing any of his most requested numbers, Billy did \u201cOld Chunk of Coal\u201d and \u201cLive Forever\u201d with a spoken word version of \u201cStar of my Heart\u201d between them. The band kicked into a rock and rolling version of \u201cHottest Thing Around\u201d that featured a killer solo by guitarist, Jeremy Woodall. After a gospel inspired \u201cLay Your Burdens Down\u201d the band used \u201cThunderbird Wine\u201d to set up a rock and roll drum solo by percussionist, Jason McKenzie.<\/p>\n<p>A Billy Joe Shaver show is almost guaranteed to have at least one incident of what Guy Clark would call hillbilly haiku, or a spoken word version of one of his songs or poems. Billy Joe followed up the drum solo with a recitation of \u201cYou Wouldn\u2019t Know Love if You Fell in It\u201d. The night grew later as the band cranked up again for \u201cIn the Good Old USA\u201d and \u201cBottom Dollar\u201d. After eight and a half hours of honky-tonking, this honky was about tonked out. As I strode out to the car, I heard the band kick in to \u201cThe Get Go\u201d and all that I could think is that there is no way this guy is 73.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Written by James Killen Aug 11, 2012 at 04:00 PM I took a run out to the Cypress Saloon, Saturday, with honky-tonking on my mind, as the Cypress Saloon qualifies as a big honky-tonk and honky-tonk hero, Billy Joe Shaver was headlining the schedule for Dewey-fest 2012. Cypress Saloon is a big tin barn-like building&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/houstonmusicreview.com\/wordpress\/2012\/08\/11\/deweyfest-cypress-saloon-cypress-tx\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-760","post","type-post","status-publish","format-standard","hentry","category-concert-reviews"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/comments?post=760"}],"version-history":[{"count":1,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/760\/revisions"}],"predecessor-version":[{"id":761,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/posts\/760\/revisions\/761"}],"wp:attachment":[{"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/media?parent=760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/categories?post=760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/houstonmusicreview.com\/wordpress\/wp-json\/wp\/v2\/tags?post=760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}